The drawing style is slightly coarse but highly detailed – a good reflection of the brusque narrator, whose own language intertwines recollection, prophecy, myth and expletives. The whole thing could be part of some psychedelic-induced fantasy.ĭulled colours from Nathan Fairbairn lend a gloomy and murky tone to Chris Burham’s art. You’re never quite sure where you are and nothing is what it seems. The storyline can be quite hard to follow, but that’s kind of the point as Nameless phases between realities, encountering strange devilish creatures, mystical keys and alien landscapes. The lead’s bitter and sardonic narrative guides us through his realms of existence, through earth to space, Malkuth to Yesouth, empty spaces to empty late night buses… There’s a grit and earthiness that permeates the mystical region, held up by the title character’s weary charisma. And now our anti-hero is well and truly involved, whether he likes it or not.Īs a first issue goes, Nameless #1 is a taster crash course into a strange new world. Around him, the planet faces destruction, and shadowy powers with veiled motives set their plans in motion.Ī man who surrendered his name so “no one could have power over him”, the eponymous hustler Nameless is a rugged loner on the run when he is given the chance to help save the earth by a mysterious scientist ‘billionaut’ and his consortium of billionaires and futurists.įrom their base on the dark side of the moon, the group are working on their desperate plan to prevent a destructive asteroid colliding with earth – if that is actually their true agenda.

In the new series from Grant Morrison and Chris Burnham, a nameless man drifts through life in the gulf between dream and reality, existing as a mercenary for those who bridge that divide.

Nameless by grant morrison